Girl Powered Romp Through Victorian London in Adler #1
Published by Titan Comics
Writer: Lavie Tidhar
Art/Colors: Paul McCaffrey
Letterer:
Simon Bowland
Release Date: 2-5-2020
Review
by Joe Bones
Characters
created by Sir Arthur Conan Doyle, Charlotte Brontë,
and Charles Dickens are brought into a whole new light in Adler
#1.
In this five issue mini-series, Irene Adler takes on Professor
Moriarty. Sherlock and Watson are off investigating the Hound of the
Baskervilles, so Irene has to recruit a group of ladies from history
and literature to help her take down Moriarty. In the first issue of
Adler, we see Irene recruit Jane Eyre and Lady Havisham, and
are introduced to a few of the other characters who will become key
players in the story to come.
I
love everything about the concept behind Adler, but I have to
admit that I found the pacing of this first issue to be a little
slow. The story is told from Jane Eyre's perspective, which seems
like an odd choice for a comic titled after one of Doyle's
characters. Series writer Tidhar spends an inordinate amount of time
introducing us to Jane, compared to the amount of detail we learn
about Irene or Havisham. Tidhar also only gives the briefest glimpse
into the mystery that will form the plot of this mini-series. It was
enough to peak my interest, but in terms of both plot and character
development, I wanted more out of this first issue.
Despite
my misgivings with the storytelling in this first issue, I really
loved Tidhar's take on these classic female characters. Irene is a
bad ass from her first panel onward. My favorite scene in this whole
first issue was Irene using deductive reasoning to suss out the
details of Jane's life. Tidhar's Jane Eyre is completely re-imagined
in the story, considering that she's twenty-five, the comic is set in
1902, and she's seemingly married to Richard and not Edward. I'm
interested to see how this version of Jane will fit into the comic's
narrative, and why she was so heavily featured in this first issue.
I'm also really interested in Tidhar's take on Havisham. This is a
version of Havisham from before Great Expectations. She's
young, active in high society, and has an interest in science. Quite
an intriguing departure from Dickens' original character. There are
fun nods to the source material of these three heroines throughout
the entire issue; a trend I hope continues as the mini-series
continues.
The
art in this book can only be described as beautiful. Artist
McCaffrey's character designs are gorgeous. He draws the female
characters like they're actual women. They're bodies are not
disproportioned like the bodies of female characters in so many other
comic books. Each character's face has its own unique look, and each
serves to highlight McCaffrey's artistic style. His style also lends
itself really well to the Victorian setting of the story. My only
complaint with the art is that his color choices make the scenes look
a little washed out. His color palette makes each panel have an odd
similarity. This works great for the scenes set in London. However,
when wartime Africa is colored the same as Victorian London, it takes
something away from the art as a whole.
Sherlock
Holmes once said, “To be a woman is to be at war”. A statement
made even truer when that woman is going up against Professor
Moriarty, one of literature's most formidable criminals. Adler
checks all of my boxes of what makes for a great story. Strong female
lead characters? Check. Alternate history take on classic
characters/events? Check. A fearsome villain? Check. An intriguing
mystery? Check. Stunning and unique art style? Check. With all these
exciting aspects combined together, I cannot wait to see where the
mini-series goes from here.
STORY: 3 / 5
ART: 4 / 5
OVERALL SCORE: 3.5 / 5